“What a magnificent book, with Bad, Inc. as the title poem and first poem: the poem itself so great and here the way it is laid out makes it even more irresistible! And the fascinating layout continues and enhances two more gems: Pink Hell and Beat Nix. And then again the structure of the poem makes for a brilliant and innovative statement in Intimacy. Another favorite of mine is Moan Light Drive: love it as right justified! And your ending poem, Sugar, Spice, and Everything Twice is a fine jazz/blues riff! Thanks again for the astonishing ride of these poems!”
— Tony Moffeit, co-founder of the Outlaw Poetry Movement, winner of the Jack Kerouac Award for his volume of poetry, Pueblo Blues
"These poems are a delight — full of delight, energy, variety, warmth and wit and joy in living. There is a Mae West-Molly Bloom openness to life, a thrill in the senses, the body, in the smallest things: "picking up a new lipstick-/a shade of "sheer dusty rose" tagged "Dolce Vita"— and thinking it is, it's a sweet life where you/ can smear velvet on your lips and/kiss the man you love with them." A favorite is "Hairy Situation." "If you've never kissed with your fingers/tangled in a man's long hair, you don't know the/unbridled glory of unbound, unbraided, free free-flowing /aphrodisiacal keratin filaments sticking to your lips..." — Throughout the poems the speaker wants to savor every drop of living, each lick of Dolce Vita, the sweet life. "Nothing is worse than going halfway then stopping. She doesn't want to look back and have regrets over things (she) wishes she had done. This energy and excitement engages us totally as she takes us along with her to the 60's — to all kinds of places and times she's never been and out of the prisons for our taste buds, our lives, to new and exciting delicacies where no palate has gone before. She is going to see this party thru to the end" and she doesn't let us not go with her."
— Lyn Lifshin, the Queen of the Lit Mags, subject of the award-winning documentary, Not Made of Glass
"Over the years, it has been a joy to sit, ponder, and absorb the poetry of Dianne Borsenik, both on the page and on the stage. Borsenik's latest collection is both funny and sensual while keeping its finger on the pulse of Modern American pop culture and the ever-beating human heart. This is a life well-lived, with an open mind and a healthy dose of laughter."
— John Dorsey, author of Appalachian Frankenstein, a two-volume collection of poetry
"Kaleidoscopic meditations on parts of the human body, they alight with the staggered efficiency of birds dropping down to a wire, and have, at their heart, a wise hand that tilts skin towards the sun."
— Tom Kryss, outlaw poet, publisher, artist, author of The Book of Rabbits and In the Season of Open Waters: Selected Poems
"Cities have souls" and in Dianne Borsenik's two-part "Fortune Cookie" she explores "The City," "The Soul" and the myriad ways in which they interact. Although universal in appeal, several of Borsenik's poems are centered in Cleveland, its past and its present, good and bad. Consider these lines from "Cleveland Spelled Backwards Is:"
. . .revealing a ceiling
Borsenik also deals effectively with self and soul, when to be cool, when to "Howl" with a capital "H" and what to do "When It Doesn't Add Up," that perfect storm "when the world of even / meets the world of odd" and "the earth shifts / uneasily."
Borsenik's syntax has a rhythm all its own, fueled by a judicious use of repetition and internal rhyme. It sweeps the reader irresistibly from line to line, starting with "Got Soul?" a brilliant, metaphor-driven catalog of cities ending in her own city and then progressing through a cathartic journey from "Doubts and Redoubts" to "Thaumaturgy."
This highly recommended collection surges with a poetic form of kinetic energy, but if you find yourself too intoxicated from "a sip or two / of the strong stuff," don't worry. Just "fasten your "seatbelts" and enjoy the ride."
— J.E. Stanley, author of work appearing in Asimov's Science Fiction Magazine, The Rhysling Anthology, and many other publications
Grabbed Fortune Cookie to read while I waited...at the airport this morning. It's really high energy and well written! And kind of positive/negative at the same time. Recommended!
— Mike Finley, award winning writer, poet, videographer, author of Yukon Gold: Poemes de terre (Kraken Press).
"As usual with Crisis Chronicles Press founded by its editor, John Burroughs, this hand-produced chapbook is gorgeous as a physical object—comprised of a crisp cover design with original artwork, front and back, a cardstock interleaf with appropriate floating fans, thick ivory paper, and a well-chosen font. Borsenik’s “little” book of “little” poems is told in haiku form in a series that seemingly floats like the Asian fans of the interleaf. With no capital letters aside from proper names nor punctuation between poems, two haiku per page except for the last poem, these postmodern fragments weave a delicate whole. Borsenik welds the typical haiku subject of nature with the urban details of the twenty-first century: “the only cloud / in this perfect sky / nuke plant’s vapor[.]” Like graffiti, these poems write themselves onto the man-made landscape: “origami: backhoes folding, unfolding / atop the debris[.]” The last poem leaves the series in thin air to direct the reader into an ellipsis of the unknown of sorts as well as back to the beginning of the collection to reread: “no guardrail / between us / and the[.]” This chapbook is a pleasure to read over and again."— Krysia Jopek, author of Maps and Shadows
"Blue Graffiti rocks. I like the fact that you mixed traditional and modern haiku. It lets the poems be what they should be, rather than forcing the poems into a form which may or may not suit them. Your use of metaphor is extremely effective in this collection ("dry riverbed rocks flowing between the trees," "watching darkness / bleach minutes into day," "laughter showing in the air" and too many more to mention). Too many favorites to list, but "favorite" favorites are "dry riverbed rocks...," "bonfire" and the chilling "no guardrail." And, by the way, "Blue Graffiti" is a perfect title for a book of haiku. Excellent work!!"— J.E. Stanley, author of work appearing in Asimov's Science Fiction Magazine, The Rhysling Anthology, and many other publications.
"Forget what you thought you knew about haiku. This is a beautiful book filled with haiku that are beautiful, unexpected. Even my daughter now loves and is writing haiku. Crisis Chronicles Press makes lovely books by terrific poets. Dianne Borsenik made even a humble dairy queen poetic. Buy this book!"
— Chandra Alderman, photographer
backhoes unfolding, folding
atop the debris
"Possibly my favorite of this collection. Strong visual and very accurate. Great eye...I dug a pond once on Forest Hills Blvd. with a backhoe, and I could feel my fingers pulling the levers as I read."
— Stephen Bellamy
"What an amazing read, Dianne. Loved it."
— Victor Clevenger, author of In All These Naked Pictures of Us.
About "Polar Vortex" — "As I sit here with my responsible thermostat setting, freezing my clenched ass off, I find myself bellowing the lines of this wonderful poem with increasing marcato emphasis to show my extreme dissatisfaction with snow and cold."
— Stephen Bellamy